“Beat Street” gave us the culture, complete with hip-hop, breakdancing, graffiti and the Bronx.
“Beat Street break down, Rah!”
On June 8th, 1984, we were given a movie about the culture, one which touched on everything from music, art and fashion to social issues and a time in New York City where true creativity and hustle rose out of tough times.
Beat Street Official Trailer #1 – Rae Dawn Chong Movie (1984) HD
Subscribe to TRAILERS: http://bit.ly/sxaw6h Subscribe to COMING SOON: http://bit.ly/H2vZUn Subscribe to CLASSIC TRAILERS: http://bit.ly/1u43jDe Like us on FACEBOOK: http://goo.gl/dHs73 Follow us on TWITTER: http://bit.ly/1ghOWmt Beat Street Trailer – An aspiring DJ (Guy Davis) and his best friend, a promoter, try to get into show business by exposing people to hip-hop music and culture.
Directed by the legendary Stan Lathan, “Beat Street” took us into a world which some were just beginning to see while others lived it every day. It was a time of transition and also one of new life. In order to truly appreciate the film and what it gave us, you must first understand the state of the times.
In the 70s, New York City was in a dire position. The city has a severe budget crisis and the federal government initially refused to step in and assist. Crime continued to rise, urban decay was occurring, Times Square was comprised of drugs and prostitution and the city wide blackout in 1977 led to looting and destruction. In the Bronx, the borough was feeling all of these effects, but it was also literally burning as white flight was occurring and many white landlords were setting fire to crumbling buildings in as they fled to the suburbs in a scandal plagued era which devastated the borough for decades.
But the 80s brought change through creativity and a new culture that was gaining steam and turning heads, one that, ironically, rose from the ashes in the Bronx.
Hip hop was emanating out of the burned out buildings, brick filled lots and neighborhoods where many refused to visit. We witnessed a new style, where windbreakers, fat laces and and boomboxes dominated the streets. It was an era where the culture gave brands such as Puma, Adidas, Kangol, Lee, JVC and Panasonic their stamps of approval.
View Homework Help - BeatStreet.docx from ST 511 at University of North Carolina School of the Arts. Beat Street- Answer the questions as you watch the movie: Where is the movie set (Specifically. Beat Street- Answer the questions as you watch the movie: Where is the movie set (Specifically, what part of what city)?-The film was set in New York, mainly in Manhattan, the Bronx, Brooklyn, and Queens. What element of Hip Hop does Kenny perform? -Kenny performs a role similar to a DJ, but is actually a disc jockey. Directed by the legendary Stan Lathan, “Beat Street” took us into a world which some were just beginning to see while others lived it every day. It was a time of transition and also one of new. Beat Street was filmed in New York City in 1983, in the boroughs of The Bronx, Manhattan, Brooklyn and Queens. Several scenes were shot inside the city's subway system, both onboard trains and in stations, notably Hoyt-Schermerhorn Streets, 57th Street-Sixth Avenue and Fresh Pond Road. Directed by Stan Lathan. With Rae Dawn Chong, Guy Davis, Jon Chardiet, Leon W. An aspiring DJ, from the South Bronx, and his best friend, a promoter, try to get into show business by exposing people to hip-hop music and culture.
It was a time when the music helped bring attention both to the culture and the issues of the time. Songs like “Planet Rock” and “The Message” were blasting out of tape decks across the city and Hollywood took notice as they released four classic films in a span of three years about the infant hip hop culture: “Wild Style” (11/23/83), “Breakin'” (5/4/84), “Krush Groove” (10/25/85) and the one we celebrate today, “Beat Street”.
Starring Rae Dawn Chong and Guy Davis, “Beat Street” introduced us to not only the music, style and dancing of the streets, but also some of the faces with long standing in hip hop. We met originators such as Afrika Bambaataa, Kool Herc, Kool Moe Dee, the Treacherous Three, Doug E. Fresh and Crazy Legs, names that are emblazoned in the annals of hip hop history. We also got brief glimpses of talents such as Brenda K. Starr and The System, artists who didn’t have big careers, but whose music still resonates today.
“Beat Street” was a story about family, not all of blood relation but family in love, vision, support and passion. We watched as Kenny “Double K” honed his talents as a DJ and eventually grew into a producer. We saw his brother Lee tagging along, wanting to become a name in breakdcancing. With his boys Ramo, a talented artist making his name through the art of graffiti, and his manager, Chollie, they worked their hustle to grow their careers and carve out a path for themselves. Kenny winds up meeting Tracy and their relationship evolves despite a rocky start, eventually coming together through a love of music.
The 80s was a decade which followed on the heels of the tough times of the 70s, a dark time that was depicted in films such as “The Warriors” and “Death Wish”, where New York was more known for violence and crime. But the 80s brought change to the times, and “Beat Street” contributed to that trend through music and art, particularly the street arts of graffiti and breakdancing, the latter which gave us the iconic battle scenes from the movie at “The Roxy” and in the subway. Enterprise architect for mac.
Beat Street 1984 HD (The Roxy Battle) 720p
Beat Street 1984 HD Break dancing High Definiton Beat Street Roxy Battle (HD) The Bronxs Break Dancers 720p
Beat Street Subway Battle
Beat street just happen to bump into another crew.
It was an art form that people loved trying and watching, but that many didn’t understand. It was a new art form that discouraged the fighting that was taking place in the streets, and instead replaced it with an athletic form of non-contact fighting where the judges were those watching the battle. It happened in every borough and could take place at any time. All you needed was a boom box and some cardboard and it was on. It’s a skill and talent that gave birth to the subway pole dancers many of us have to make room for during our daily commutes in New York today. But it’s also one that still lives to this day, globally.
In “Beat Street”, Stan Lathan touched upon almost every element in the urban jungle and in the culture. He gave up hip hop, breakdancing and graffiti, But he also showed us how people made do without normal resources, such as heat and electricity. We saw a full house party go down with some extension cords and power from the light pole on the street. We saw how a vacant apartment could be made livable for a young family trying to make it on their own. We saw how people from different backgrounds could come together through the joint love and appreciation of music.
And we saw how talent can rise from places where you least expect it, including the crumbling neighborhoods of the Bronx.
Ramo In Beat Street
The film was made during a time where hip hop was slowly starting to seep into the mainstream, but it was still fighting for its place at the table. In New York, it was fighting for airtime on stations such as WBLS and KISS-FM, where DJs such as Red Alert and Chuck Chillout were carving out a space for the music during their time slots. It was getting more exposure thanks to people like Ralph McDaniels, who created “Video Music Box”, giving us a place to watch music videos and artists that other networks were refusing to acknowledge or play.
“Beat Street Is A Lesson Too, Because You Can’t Let The Streets Beat You.”
Ramo Movie Song Santa Clause On Beat Street
“Beat Street” exemplified the fight that inner city culture put on to take what it deserved. Recognition, appreciation, resources and a place at the table. Don’t get it wrong though; the movie, Crazy Legs, Grand Master Flash and others weren’t doing it for acceptance. They were doing it because they loved it, and eventually everyone else felt the power, passion and attraction of the music and the art.
Yet it wasn’t all good in the hood. As we all know, things can change in an instant, and that’s exactly what happened to Ramo and Kenny one night when they were bombing “the White One” and Spit decided to ruin his mural. Ramo’s death was a painful reminder of how the streets can quickly claim the ones we love, changing lives in an instant.
But through death comes life, which we witnessed in the closing scene of the film, where Kenny put on the celebration to honor his fallen friend.
Beat Street Full Movie
Beat Street 1984
Ramo’s Going Away Party
This final scene was filled with messages. Messages of love, death, tribute, inspiration and celebration. But it also showed us how music and art could bring us all together despite our backgrounds, cultures, upbringing and features. If you listen to the lyrics of the title song itself, you’ll hear what Melle Mel was trying to tell us, giving us more messages to follow if we paid attention and understood.
In times of despair, people need something to rally around, be inspired by and be proud of. They need an outlet for expression. That’s what hip-hop and its culture gave us, and that’s what “Beat Street” captured.
“Beat Street” wouldn’t win any awards, but it has, in my opinion, become a classic and must watch for anyone who considers themselves a true hip hop head. It was a movie about art, family and a culture which has never showed signs of slowing down or being restrained. It was made for the culture and, most importantly, it was made for us.
Beat Street
The king of the beat
You see him rocking that beat from across the street
And Huh Huh!
Beat Street is a lesson too, because you can't let the Streets beat you!
Well a picture can express a thousand words to describe all the beauty of life you give
And if the world was yours to do over, I know you'd paint a better place to live
Where the colours would swirl and the boys and girls can grow in peace and harmony
And where murals stand on walls so grand as far as the eyes are able to see, Ha!
I never knew art til I saw your face and there'll never be one to take your place
'Cause each and every time you touch the spray paint can
Michelangelo's soul controls your hand
Then serenades of blue and red and the beauty of the rainbow fills your head
Crescendo of colours hang in tune, Man why oh why d'ya have to die so soon?
Ashes to ashes and dust to dust, where the good die young it's all thy must
'Cause as life must live, death must die and the tear shall fall from the living eye, Huh!
The teardrops fall for the state of mind of the beautiful lady that you left behind
In love and alone, but now you're dead, and she still can't get you out of her head, Huh!
More tears fall for all you've done, trying to be a good father to your only son
But now who's gonna make sure that he's fed, put a shirt on his back and a roof overhead?
Tell me who's gonna dream the impossible dream of the beautiful cities in the islands genes?
When your works of art brought into being all that the ghetto stopped you from seeing
b**s on the sidewalk, garbage in the streets, abandoned buildings, bricks of concrete
The ladies on the corner are selling their bodies, and everybody wants a part in that party
I'm hanging out tough, rocking late at night, running wild in the town of the neon light
You either play some ball or stand in the hall Huh!
You gotta make something outta nothing at all
I'm sitting in the classroom learning the rules and it says you can't do graffiti in school
They can't be wrong in the hallowed hall, so my notebook turned into a brick wall
The heart of a lion and the courage of three, and the mind of a man much wiser than me
You're the soul of the brother who won't come back
Who died in my arms on the railroad track
'Cause I'm caught in the rat race, looking for my own s***e
There's gotta be a better place for you and me
There's pie in the sky, and an eye for an eye
Some people gotta die just to be free
You search for justice and what do you find?
You find just us on the unemployment line
You find just us sweating from dawn to dusk
There's no justice, there's Huh, just us, Ha!
Still life urban masterpiece, your trademark was written on trains and walls
A million dollar gift only God released, and yet you got killed for nothing at all
So after this there'll be no more hard times, no more bad times and no more pain
No more chump change, none of that bull
Just movies, museums and the hall of fame
So all you Hip Hops get on up, and let's take it to the top where we belong
'Cause the age of the Beat Street wave is here
Everybody let's sing along, now c'mon, say 'Ho!' ('Ho!'), Say 'Ho!' ('Ho!')
And to let me know I'm rocking the microphone everybody say 'Ramo!' ('Ramo!')
'Ramo!' ('Ramo!')
Raah!
A newspaper burns in the sand, and the headlines say 'Man destroys Man!'
Extra! Extra! Read all the bad news on the war for peace that everybody would lose
The rise and fall, the last great empire, the sound of the whole world caught on fire
The ruthless struggle, the desperate gamble
The game that left the whole world in shambles
The cheats, the lies, the alibis
And the foolish attempt to conquer the skies
Lost in s***e, and what is it worth, huh?
The president just forgot about Earth
Spending multi billions, and maybe even trillions
The cost of weapons ran into zillions
There's gold in the street, and diamonds under feet
And the children in Africa don't even eat
Flies on their faces, they're living like mice
And the houses even make the ghetto look nice, Huh!
The water tastes funny, it's forever too sunny
And they work all month and don't make no money
A fight for power, a nuclear shower
And people shout out in the darkest hour
Of sights unseen and voices unheard
And finally the bomb gets the last word
Christians killed Muslims, and Germans killed Jews
And everybody's bodies are used and abused, Huh!
Minds are poisoned and souls are polluted
Superiority complex is deep rooted
Leeches and lice's, and people got prices
Egomaniacs control the self-righteous
Nothing is sacred and nothing is pure
So the revelation of death is our cure
h***** and Caesar, Custer and Reagan
Napoleon, Castro, Mussolini and Begin
Ghengis Khan and the Shah of Iran
Mixed with the blood of the weaker man
The peoples in terror, the leaders made the error
And now they can't even look in the mirror
'Cause we gotta suffer while things get rougher
And that's the reason why we got to get tougher
To learn from the past and work for the future
And don't be a slave to no computer
'Cause the Children of Man inherits the land
And the future of the world is in your hands
So just throw your hands in the air
And wave 'em like you just don't care
And if you believe that you're the future
Scream it out and say 'Oh yeah!' ('Oh yeah!')
'Oh yeah!' ('Oh yeah!')
Raah!
Beat Street Breakdown
Raah!
Hip Hop!